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Hallmarks
Of all of the subjects within collecting antique silver, none
can be more daunting than learning and understanding the
hallmark system.
This will be a basic overview of how the hallmark system works
and some history about the system and then we will expand on
this further in future articles.
The English hallmark system is a system of identifying, taxing
and controlling silver
production.
While the hallmarking system can be traced to the early
1200’s, the system did not really become standardized as we
know it today until 1702. We will confine our review to the
antique system which was used from 1784 until 1837 and its
major components. It is interesting to note, that it is still
used today, albeit in a modified form.
Click Pic For Larger View
When attempting to establish the authenticity of any piece of
antique English silver, it is essential that the marks be
intact and that they are verifiable. Just so you are aware, it
is not uncommon to find authentic pieces, where the marks have
been rubbed through years of diligent polishing. While the
piece may still be beautiful, this does greatly reduce its
value.
The Basics
Any piece of antique English silver made between the years of
1784 and 1837 should have the following marks:
Makers Mark- This is the mark of the maker and
identifies that this piece was made in the workshop of this
maker. In some cases it may have been completely produced from
start to finish by this maker, or in many cases it was
produced in the workshop and overseen by the maker, and may
have been finished by the primary maker. Since many makers
produced multiple pieces, this is not unusual and it does not
reduce the value. However, as with any collectable, the rarer
the item and the rarer the maker the more valuable.
Date Letter: This is the stylized letter which denotes
the year in which the piece was made. Since the letters are
reused year after year, it is important to carefully look at
the style and design of the letter to ascertain the exact
year. In addition, it is good to cross reference the date that
you believe a piece to be with the maker’s mark and the date
that mark was first registered. For example, if you believe
you have a piece by the famous Paul Storr and the date mark
looks to be 1755, this is impossible as Paul Storr’s mark was
not entered with the London Guild until 1792 along with his
partner William Frisbee.
Lion Passant: This mark is essential to identify that
the piece is pure sterling silver. Any piece of English silver
must have this mark, or it is not pure silver and may be
plated.
Click Pic For Larger View
City Mark: This will tell you in which city the piece
was manufactured, such as London, Sheffield, Chester, Exeter
etc. London marks tend to be the most desirable on the mass
market, however, many fine pieces were produced in Ireland, in
particular Dublin and in Edinburgh, Scotland. The London mark
is probably the best known and it is the “Leopard’s Head
Crowned”. Please note that on pieces made from 1821 onwards,
the leopard’s head is uncrowned.
Duty Mark: This may be the trickiest of the marks, as
this can be difficult to identify and it some cases, the
pieces were made, but the duty was not paid, thus the phrase,
“duty dodging”. The lack of a duty mark does not mean that a
piece is fraudulent, but it does mean that some caution is in
order. Some makers are known for their tendency to “forget” to
pay the duty and any good book outlining maker’s marks will
note this. Prior to 1784 duty marks were not struck, so lack
of this mark on an earlier piece is not an issue.
With this, I will bring this brief overview to a close. While
this is only the basics, it gives you a good start to begin to
explore the exciting world of antique English silver. If you
are interested in further study, or are interested in
purchasing a reference book for yourself (by the way, if you
are serious about collecting, I highly recommend this), I can
suggest the following books:
Jackson’s Hallmarks, edited by Ian Pickford
London Goldsmiths, 1697-1837, Their Marks and Lives, by Arthur
G. Grimwade
by Charles
Cook
Reprinted with permission
Copyright by Charles Cook ©
Should you be interested in
viewing our antique silver pieces, please visit us at the
www.thelionpassant.com
or contact us at thelionpassant@charter.net
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