
The author displays some of her butter
pats in old cutlery boxes where
the china pieces are stood upright and separated
by pieces of colorful tissue paper.
ALL BUTTERED UP FOR
COLLECTING!
Victorian butter pats, whether miniature replicas
of the china
they accompanied or a whimsical design all their
own, are infinitely collectible.
by Mary Dessoie
Although many folks have the desire to start collecting
they often become discouraged because of space
limitations or the cost involved in establishing a
quality collection. Enter butter pats: tiny individual
plates for butter that can easily be found across
America for under $10. Once created by the leading
porcelain houses all over the world, these diminutive
plates have been seen on the tables of royalty and
presidents, as well as in the homes of fine china lovers
everywhere. Rarely manufactured for popular use, they
are now considered antique, exquisite each in its own
style and a joy to contemplate.
No table was properly set during the
Victorian era without small butter dishes. The
Victorians loved excess–in the decoration of their homes
and clothing accessories–and no where is this more
exemplified than in the place settings of the 19th
century dining table. During the age of elegance each
category of food required a separate piece of china or
silver. Formal Victorian tables were set with a serving
of bread, consumed without butter, hidden in the folds
of each guest’s linen serviette. If a course required
buttering, the servants placed individual miniature
plates, approximately three inches in diameter, above
and slightly to the left of center of the service
plates.
Two fan-shaped Majolica pats are
unmarked, as is the image of a child. The square pat with rounded corners
featuring a winged fairy, gold trim, was manufactured by Charles Field Haviland,
Limoges (1882-1890)
Of course, our great-grandmothers
never heard of such a thing as store-bought butter.
Butter was usually made at home in the 19th
century. The Victorian ladies labored hard for their
spread, creating it in a wooden or stone churn, shaping
it with a paddle and squeezing it in order to remove
excess moisture. The butter was then put into a mold or
shaped into a mound with wooden paddles. The molds
usually held one pound of butter. The lady of the house
or the kitchen servants, for those who were fortunate to
have a household staff, cut the butter into smaller
pieces to serve for special dinners or parties.
Sometimes the small pats of butter were shaped into
unusual forms, such as rosettes, to be even more
appealing. The very wealthy might use decorative
individual hand-carved butter stamps that featured the
family crest or a special design to form an attractive
butter display.
Butter pats, which were manufactured
in a multitude of shapes and designs by the finest
porcelain houses in the world, reached the height of
fashion from approximately 1880 to 1910. (However, the
diminutive plates, also known as butter chips, butters,
butter pat plates, butter pads and individual butters,
were first produced in the mid-1800's. Most collectors
and antiques dealers seem to prefer the term butter
pats.)
More
Page 2
by Mary Dessoie
Reprinted with permission
Copyright by Mary Dessoie ©
Butter Pat Patter Association
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